Jun 20 2017

June 20, 2017Author: JasperNo Comments

Like Crazy director, Drake Doremus, shared a moving two-minute video tribute to Anton yesterday. It features candid and behind-the-scenes moments from when they were filming the movie. It’s such a moving, heartbreaking video with a simple message that hits too close to our hearts.

Jun 19 2017

June 19, 2017Author: JasperNo Comments

Today marks the first year since we lost such a beautiful, unique, and talented soul, but it still hurts that Anton’s no longer with us. We miss you so much! Thank you again for sharing your talent with us and inspiring many of us along the way.

The gallery has been updated with a lot of additional high-quality photo shoots and portraits taken of Anton, and also updated some with higher-quality versions!


Apr 04 2017

Yahoo Movies shared an exclusive clip from one of Anton’s final films, We Don’t Belong Here. The film is out on DVD and Digital today.

Mar 11 2017

Kino Lorber has acquired North American rights to Porto, the Gabe Klinger-directed film starring Anton Yelchin and Lucie Lucas. The deal comes as the pic shot in the Portuguese city preps for its North American premiere Sunday at SXSW. The pic is screening in 35mm in Austin, and Kino Lorber is planning a fall theatrical release with a commitment to show the film both on 35mm and digital before a winter VOD bow.

It’s one of the final film roles for Yelchin, who died last June in a freak car accident. He plays Jake, who along with Mati (Lucas) are outsiders in the northerly Portuguese city of Porto who once experienced a brief but intimate connection. He’s an American loner exiled from his family; she’s a French student abroad with her professor lover. One day they see each other from a distance at an archeological site and then again at a train station and a café, where Jake works up the courage to speak to her for the first time, and they embark on a night of carefree intimacy. The experience is looked at years later, both of them still haunted by the powerful moments they shared.

Source: Deadline

Mar 04 2017

It all started three years ago with a Kickstarter campaign that helped raise funds to develop the project. Last year, we got to see the five-minute short film, which takes place in a world where man’s attempt to create artificial intelligence has spun wildly out of control. Now, the sci-fi short film, Rise, is now being developed into a full feature-length movie! It’s so sad that Anton will be no longer be part of the project, but I’m sure he’d be very happy about this news. Check out the short film below.

Source: Variety

Feb 10 2017

Guillermo del Toro spoke with Entertainment Weekly and talked about the renewal of Trollhunters and how Anton’s work will go on for the second season. The first season is still available for streaming on Netflix.

ENTERTAINMENT WEEKLY: It seems like you have some news to share.
GUILLERMO DEL TORO:
Well, we got very good news about how many people were watching the series, but we got confirmation that the next [13] episodes are a go. We’ve been working on a second season for a while now because we knew that if everything went right, we could proceed. We’re going to go ahead and now continue, rather than start, because we’ve been doing it for more than a year. The reality and the beauty of this is that we can continue not only the storyline and the characters, but we have a huge swath of work from Anton that allows us to continue Anton through more than half the season.

How did you approach the show following the loss of Anton?
From the get-go, even in the first season, we knew we wanted to preserve as much of the performance of Anton as possible, both from an artistic and a human point of view, and also simply because I think it’s a tribute to what we think he brings to the role of Jim. From the beginning when we planned the writers’ room, we set out a map of 52 episodes, and created arcs that break every 13, and those were planned four years ago. So we have been recording Kelsey Grammer, Anton, Ron Perlman, Clancy Brown, everybody involved in the series for years and years. And there was a break in the arc in the right episode that allows us to preserve all the work that Anton did that was phenomenal. At the end of recording sessions, Anton did one of the most complex episodes and then he looked at the pilot, complete, and there was a great moment in which he was able to see the work and do a really complicated episode in which he did multiple voices and we were all so proud and so close when we lost him. And now I can tell you, we’re not only going to second season, but we’re going to be able to preserve a really large part of it with Anton’s voice.

Does his passing change anything in your initial plan, or are you sticking to it?
Actually, coincidentally, we have an event in the last episode Anton did which allows us to sort of change his voice slightly, so the character stays — but we didn’t plan this. It was pure serendipity that we had that in the works. The beats of the second season have been set for years, and as of now, we have not altered or needed to alter a single beat.

Jan 24 2017

When Anton Yelchin was killed in a freak car accident last June, the 27-year-old actor left behind five unreleased movies: “Star Trek Beyond,” the romance “Porto,” the delayed missing-son drama “We Don’t Belong Here,” a sci-fi mystery called “Rememory” and the twisted psychodrama “Thoroughbred.” We’ll now spend the year bidding Yelchin another bittersweet farewell with each release.

The latest sendoff came this weekend at the Sundance Film Festival, where the sensational “Thoroughbred” premiered. Yelchin has a supporting role in the movie, a “Heathers”-meets-”Persona” psychodrama depicting two wealthy teen girls (Anya Taylor-Joy and Olivia Cooke) who concoct a twisted murder plot in suburban Connecticut.

“Thoroughbred” wrapped production two weeks before Yelchin’s death. It was the last movie he shot.

“He is truly a phenomenal actor and an unbelievable person, and I think all of us feel incredibly lucky to have spent time with him and to love him and to allow him to inspire us,” Taylor-Joy told The Huffington Post on Sunday as Cooke nodded along with her sentiments. “It’s really a testament to his ability as a performer because [Tim, Yelchin’s character], in the script ? it’s not that he’s not fleshed out, but I think a lesser actor would have made him more of a parody. The sympathy and the love that we feel toward him? He’s just having a rough time. [Our characters] grab him and pull him into something, and you really feel for him.”

The “something” Taylor-Joy alludes to is the aforementioned murder of her character’s savage stepfather (Paul Sparks). Yelchin plays a registered sex offender and local drug dealer. Because he has a gun, the girls lure Tim into their devilish scheme ? he joins “Team Estrogen,” as Cooke put it. Yelchin is dynamite in the role, frazzled and wide-eyed with paranoia.

“It was incredibly sad to hear the news,” first-time writer/director Cory Finley said, referring to Yelchin’s death. “I think I can speak for everyone in saying we felt very, very fortunate to have worked with him. He was, first, just a consummate artist on set. He did a lot of improvisation and came in with a lot of really specific character work done and really had a vision for the character and had a huge role in shaping that part.”

After a slew of enthusiastic reviews for “Thoroughbred,” Focus Features purchased theatrical rights for around $5 million, a decent sum for a Sundance title without much pre-festival buzz. No release date has been announced.

“He was also just the kindest, funniest and most playful guy on the set,” Finley said. “We always really loved him. It was a huge loss, but he was an amazing actor and a great guy.”